Profoundly entertaining.
Rigorously made.
Fervently felt.
A production company is defined not by what it makes — but by how what it makes feels. Nemea makes films that move you without mistreating you.
A production company is defined not by what it makes — but by how what it makes feels. Nemea makes films that move you without mistreating you.
01 — Who We Are
We do not make films that feel like other people's films. We make films that share a nerve — a way of being in the world. Narratively reliable. Morally restless. Films that stay with you a few days longer than you expected.
What We Are
Nemea is a film studio and co-investment fund. We develop, finance, and produce a curated slate of author-driven films — sub-$5M, designed to travel, built to last. We do not make films any other company could make. We do not work with directors who are interchangeable. We do not produce cinema that leaves you where it found you.
We build a library. Every film we produce adds to a catalog of rights that compounds in value over time — not just a fund, but a company with a voice that becomes recognizable after ten years of consistent decisions.
02 — Vision & Mission
Nemea films do not live off their year of release. They live off their decade. We are not trying to be the biggest or most awarded company — we are trying to be the most recognizable. The one whose voice, after ten years, cannot be confused with anyone else's.
The Architecture
Mexico, Canada, and the United States — not for geographic ambition, but because each jurisdiction unlocks a specific tool. One Mexican incentive per film (EFICINE 189 or the EFICA 30% decree). BC PSTC at 46.2% on qualifying Canadian labour. Territory pre-sales and SVOD close the gap.
The fund provides 40% co-equity per film. The remaining 60% is covered before cameras roll. We finance until we sell — then we return capital and repeat. Investors are co-owners of the films, not just studio equity holders.
03 — The Opportunity
The proof that Nemea has a voice will be this: someone will watch a film without knowing it is ours — and suspect it anyway. Not from the logo. Not from the director. Not from the genre. From something in the texture.
Why Now
Mexico's 2026 EFICA decree introduced the most significant film incentive legislation in the country in a decade. British Columbia's production credit rose to 46.2% effective labour spend. Global streamers — Netflix, MUBI, A24 — are actively acquiring Latin American and non-English titles at a pace the prior decade did not see.
A fund structured in 2020 could not have accessed this combination. A fund formed in 2028 will face a more crowded market. Nemea has the entities, the team, and the relationships in place across all three jurisdictions. The window is now.
04 — Territory
A tri-national structure designed to access the best incentive per film — one Mexican credit plus BC PSTC on qualifying Canadian labour — with full co-production access, and distribution reach across the Americas and beyond.
Monte Himalaya 910, Lomas de Chapultepec, CDMX. Creative development, IP acquisition, and local production. EFICINE tax credits — up to $1.4M per project.
Nemea BC Ltd., British Columbia. 46.2% combined tax credit on qualifying Canadian labour spend. The Coast Mountains, Vancouver Island, the Okanagan — world-class locations and one of the most competitive production incentives in North America. Co-production treaty access with Mexico and the US.
Nemea Studios Inc., Delaware C-Corp. Distribution partnerships, streaming negotiations. State incentive access: Georgia 30%, New Mexico 25–35%.
We do not wait for finished scripts. We watch shorts, read early drafts, follow cinematographers. The directors we want are almost never actively pitching us.
40% fund equity. One Mexican incentive. BC PSTC on Canadian labour. Territory pre-sales. Every financing bucket confirmed before production begins — the risk is built out at the architecture level, not managed after the fact.
Each film is its own SPV. The director has final cut — always. Investors are co-owners of the IP and backend. One film's outcome never contaminates another.
Festival strategy is a financing decision, not an afterthought. We are honest about where each film belongs — and we premiere it there. Distribution follows the image. We finance until we sell.
120% recoup, 8% preferred return, 50/50 profit split at the film level. Capital returns as films sell. The library retains value beyond the fund period — every film is a vote on what Nemea is.
Get In Touch
If you are a filmmaker with something only you can make, an investor who understands that the library is the asset, or a collaborator who wants to build something that lasts — we want to hear from you.
Monte Himalaya 910
Lomas de Chapultepec
11000, Ciudad de México
Thank you. We'll be in touch.
